Ivan Picelj: Remember Rodtchenko 3
Paris, 1986.
Screenprint in colours on Velin Arches 270 gsm wove paper
Remember is edition of 36
30 numbered 1-30 and six hors commerce numbered HC I - HC VI
This is edition HC VI/VI
Signed and numbered in pencil
Editions Denise Rene, Paris, 1986.
45 x 31cm
Ivo Kalina (1925-1995)
Mreža
Ulje na platnu
129,5 x 105,5 cm
Reproducirana u monografiji Ivo Kalina (urednici Milan Beslic - Ervin Dubrovic - Berislav Valusek)
Hrvatski muzej turizma, Opatija, 2018.
Josip Vaništa (1924-2018)
Srebrna linija na bijeloj pozadini
Silver line on a white background
Zagreb, 2011.
Izrađena za kolekciju B.O. (40x40)
Made for B.O. Collection (40x40)
Acrylic on Canvas / Akril na platnu
Format 40 x 40 cm
(15.75 x 15.75 in)
Signature verso /Potpis na poleđini
+ tekstualno Ovo je moj rad (this is my Art Work) 28.IV.2011.
+etiketa / potpisani tekst s opisom nastanka prve Linije, 1961. godine
+label / signed description about first Line from 1961.
Mangelos: manifest o impresionizmu (in Croatian), 1977.
High Quality Screen Print / visokokvalitetan sitotisak
84 x 52 cm (33 1/8" x 20 1/2")
Mangelos: manifest o impresionizmu
silknprint on paper.
Zagreb 1977.
Produced as part of a gallery show in Zagreb that featured his manifesto work.
Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
Ordan Petlevski (1930-1997)
Nike I
1968. godina
Potpis; dolje desno O.P. 68
Ulje na platnu
45 x 45 cm
Reproducirana u monografiji Grgo Gamulin: Ordan Petlevski. Matica hrvatska, 1990. (stranica 67) i časopisu Život umjetnosti 17 / 1972.
Retrospektivna izložba, 1973. Katalog radova, umjetnički paviljon u Zagrebu.
Glavni urednik: Lea Ukrainčik
Sanja Iveković: Ljubica Gerovac (Linda Evangelista)
Gen XX, oglasi u časopisima i novinama, 1997 – 2001.
Plakat
68x98 cm
Gen XX,” 1997–2001, presents posters of famous supermodels emblazoned with the names of female Yugoslav World War II heroes
Iveković equipped the photos of professional models with the names and brief stories of women who were celebrated under socialism as “national heroines,” who are today erased from the public consciousness. The space of common knowledge or familiarity from the socialist past was evacuated in favor of popular mass culture and commercial icons. Iveković utilizes these vehicles of everyday contemporary popular literacy and invests in them content with (generally absent, and to contemporary standards unattractive) historical knowledge.
Ivan Berislav Vodopija: Unutarnji prostor
Nakladnik: Vodopija Art
srpanj 2025.
Ovitak i crteži: Vlado Martek
Kultni zagrebački antikvar Ivan Berislav Vodopija u drugoj pjesničkoj zbirci pokazuje da je zaljubljenik u knjigu i istinski skladištar starih, zaboravljenih riječi: ispisuje posvetu proteklom vremenu i svakodnevnim frustracijama, neotkrivenim prostorima i arhitektonskim čudima, ali i svjetskim majstorima pisane riječi te kolegama i suvremenicima: primjerice, u riječi „sladost“ skriva se Dora Pfanova.
U tri ciklusa („Unutarnji prostor“, „Ready-made Poetry“ i „Rezerva“) poetsko oko promatra zagrebačke ulice, ruski Petrograd i nizozemski Elburg, vlastitu intimu i gradske utvare, fascinantnu ljepotu prirode i bajkovitu konkretnost svakodnevnih efemeralija: „U svemu tome i jesam i nisam. Brzo ću ti poslati pismo ili glasno obznaniti da je najbolje da se nikada ne sretnemo.“
Pjesnička zbirka „Unutarnji prostor“ opremljena je crtežima likovnog umjetnika i pjesnika Vlade Marteka.
Ivan Berislav Vodopija rođen je u Velikom Grđevcu 1942. godine. Na Filozofskome fakultetu Sveučilišta u Zagrebu diplomirao je jugoslavistiku i komparativnu književnost. Živi i radi u Zagrebu.
Dosad je objavio pjesničku zbirku Svaka boja je krvava (2010.), epistolarni roman Mrtva priroda i živo srce (2011.) – objavljen i na engleskom, u prijevodu Willa Firtha, pod naslovom The Storm in The Still Life (2012.) – roman Kulise, makete i pepermint (2015.), prozne zapise Putnik u tramvaju, The Man on the Tram – Reality Show (2017.), knjigu proza Pogledi s lica i naličja (2021.) i knjigu zapisa Book&ništa (2022.) te pjesme i fotodokumentaciju akcija Tramvajske postaje (2023.).
Bora Ćosić: Mixed Media
print on paper
26 × 26,2 cm
Belgrade, 1970.
Original edition
104 pages
Dizajn Branko Vučičević
Bora Ćosić’s book, both about and based on the principle of mixed media, is an extraordinary example of a collaged structure of visual and written material: essays, reproductions, quotations, newspaper clippings, photocopies, etc. that bring together the art history of the 20th century in a multi-layered way: conceptual art, film theory, philosophy, social criticism, and sociological research combine to result in a specific index/encyclopedia of concepts. “Mixed Media” looks at topics including the artistic practices of the time, the international neo-avant-garde movement of the 1960s (and later), and movements and practices such as Fluxus, Neo-Dada, Neo-Constructivism, visual poetry, conceptual art, etc., which have the principle of “mixed media” as their main feature. W.S.
Mangelos: Energija no 9.
Artist's Book.
Artist Edition for Exhibition in Galerija Dubrava, Zagreb, January 1979.
Sitotisak / Silkprint on Paper.
In very good condition / U vrlo dobrom stanju.
Format: 12x17 cm
Stranica: 30
Artist's Book. Poeziju treba jebati (Poetry Should be fucked). Vlastita naklada 1983. godine. Omot rađen u sitotisku. Na zadnjoj stranici dva pečata - poezijo pizdo bez šanse i Vlado voli Bretona. Možda i najvažnija Knjga umjetnika - Vlade Marteka - pjesn