VARIOUS ARTISTS

Braco Dimitrijević: His Pencil's Voice / Njegove olovke glas Signed and dated. B/W photos Sven Stilinović & Fedor Vučemilović Galerija SC & Muzički salon Teatar ITD Zageb, 1973. Single. Jacket / wrap & "records". In very fine codition. Very very rare.

Josip Stošić: A Signed and dated Zagreb, 1969. Edicija 1 Sitotisak / Screenprint Likovni ustrojem riječi na plohi, suodnosom predmeta i riječi (“A”, 1969

Ivan Čizmek: Structures III Grafička mapa Naklada 50 Signed and numbered Edition Studio Forma Urbis, Zagreb Papir Fabriano 5 / 380g Tisak: Design & tisak Straža, Zagreb Predlist predgovor na hrvatskom i engleskom jeziku Ivica Župan 50 x 50 cm

Boris Bućan: Laž / Lie Rad rađen za Trigon, 1973. Devet vintage fotografija za Bućanovu intervenciju u prostoru Photo Željko Stojanović 9x14cm Boris Bućan na Trigonu 1973. radi »Lažno djelo«. On kaže: »Djelo, koje će biti prikazano na video-tejpu, svjesno sam napravio dokazujući da pravim lažno djelo. Video-tejp ne upotrebljavam u bilo kakve eksperimentalne svrhe, već želim tv medij iskoristiti kako bi što veći auditorij konzumirao moje lažno djelo.«1 Na video-vrpcu trebalo je paralelno u Zagrebu i Grazu snimiti stavljanje velikog transparenta s natpisom »Laž« na fasadu neke kuće, a pri tom zabilježiti i reakciju publike. Rad je imao nekoliko konotacija: Bućan je napravio djelo koje ne smatra umjetničkim ali ga stavlja u kontekst umjetnosti i u kontekst javnog mjesta. Djelo koje nije umjetničko predstavlja se kao umjetničko i provocira riječju laž. Što je laž: politika, umjetnost, medij videa ili televizije ili samo djelo s nazivom Laž – ostaje otvoreno pitanje. Niz sličnih provokativnih radova Bućan je izložio na svojoj samostalnoj izložbi u Galeriji suvremene umjetnosti 1975. Uvijek je u pitanju značenje i smisao nekog djela I njegove poruke. 1 Tekst u katalogu »Audiovisuelle Botschaften«, Trigon ‘73, Graz Susovski, Marijan (1982.). Inovacije u Hrvatskoj umjetnosti sedamdesetih godina. U katalogu izložbe Inovacije u Hrvatskoj umjetnosti sedamdesetih godina. Zagreb : Galerija suvremene umjetnosti; str. 27

Komplet od trinaest (13) fotografija akcije / perfomansa Ere Milivojevića. Fotografije su numerirane, sa pečatom umjetnika na poleđini. Format 15,3x10,3 cm Era Milivojević (Titovo Užice, 1944) graduated from the Academy of Fine Arts in Belgrade in 1970, in the class of S. Ćelić. During 1971 - 1973 period he worked and exhibited with the Group of Artists: Marina Abramović, Neša Paripović, Zoran Popovic, Raša Todosijević, Gera Urkom, all famous for their early conceptual art practice. Milivojević's oeuvre includes painting, photography and performance. He lives in Belgrade.

Tri generacije beogradskih graditelja Odnos prema nasljeđu Beograd, 1984. Likovna mapa Etui sa pet grafičkih listova: Aleksandar Deroko Bogdan Bogdranović Grupa MEČ: Mustafa Musić Stevan Žutić

Vladimir Jovanović Varia Bila Triptih Beograd, 1976. Screenprint / Sitotisak 50 x 70 cm Sigend and dated Pop Art

Vilko Žiljak: 62-CM-24-MY-1975 Zagreb, 1975. Signed and numbered 57 X 76,5 cm Edition 2/10 High Quality Screen Print / visokokvalitetan sitotisak In (New) Tendencies 5 (1973), Vilko Ziljak exhibited ASCCI photographs, i.e. digital printouts. The graphics of the series are based on the same programmes which he wrote for his professional activities in various companies in the early 1970s – that is, for technical applications. He uses artistic computer graphics exclusively for abstract portrayals and regards these as an analogy to music. Vilko Ziljak has been involved with computer graphics, among other things he was a programmer of geographical maps. In Croatia, Ziljak is a pioneer in the fields of computer graphics and typography, mathematical models as well as simulations and visual research aided by computers. Since the early 1980s he has also produced films and computer-aided animations. Born 1946 in Sveti Ivan Zelina, Croatia. Studied electrical engineering at the Faculty of Electrical Engineering and Computing at the University of Zagreb (Ph.D. 1981). From 1999 professor of graphic technology and head of the department of typography and computer graphics at the Faculty of Graphic Art at the University in Zagreb.

Vilko Žiljak: 60-4-AC-1975 Zagreb, 1975. Signed and numbered 57 X 76,5 CM Edition 2/10 High Quality Screen Print / visokokvalitetan sitotisak The graphics of the series are based on the same programmes which he wrote for his professional activities in various companies in the early 1970s – that is, for technical applications. He uses artistic computer graphics exclusively for abstract portrayals and regards these as an analogy to music. Vilko Ziljak has been involved with computer graphics, among other things he was a programmer of geographical maps. In Croatia, Ziljak is a pioneer in the fields of computer graphics and typography, mathematical models as well as simulations and visual research aided by computers. Since the early 1980s he has also produced films and computer-aided animations. He lives and works in Zagreb, Croatia.

Dragoljub Raša Todosijević Edingburška izjava / Ko profitira od umetnosti Edinburgh Statement / Who makes profit from art Beograd, 1975. Silkprint 50x66,5 cm Signed Text on Serbian Cyrillic and English

Originalni plakat izložbe "Za umjetnost u umu" u Podroom, Mesnička 12, Zagreb; Boris Demur, Vladimir Dodig Trokut, Ivan Dorogi, Ladislav Galeta, Tomislav Gotovac, Vlado Gudac, Sanja Iveković, Željko Jerman, Željko Kipke, Antun Maračić, Vlado Martek Mal

Dejan Kršić: WHW Deset plakata za kolektiv WHW Sitotisak / Silkprint 50x70cm Born 1961 in Sarajevo. He graduated art history and ethnology from the Faculty of Philosophy in Zagreb. He has exhibited in several solo shows (in Zagreb, Ljubljana, Rijeka, Belgrade) and has participated in many collective exhibitions and video festivals. Since the mid 1980s he has been working for various magazines and newspapers as a journalist, editor and/or graphic designer (Polet, Studentski list, Quorum, Svijet, Start, Mladina, Moment, Danas…, Frakcija, Zarez). In the 1993 he was one of the founders and later editor-in-chief of Arkzin biweekly newspaper/magazine and publishing project. He translated to Croatian and published essays by many distinguished theorists and writers such as Slavoj Zizek, Renata Salecl, Darian Leader, Brian Holmes. He created graphic design for numerous respectable exhibition catalogues. Additionally, his design works have been published in many design magazines: Eye (UK), Print (USA), AIGA journal (USA), Kak (Russia); and books: Mirko Ilic & Steven Heller: "Genius Moves - 100 Icons of Graphic Design" (North Light Books, 2001), "Two Colour Graphic" (Rockport, 2004), Milton Glaser & Mirko Ilic: "Design of Dissent" (Rockport, 2005), Timoty Samara: "Publication Design Workbook" (Rockport, 2005); Rick Poynor: "Designing Pornotopia: Travels in Visual Culture" (Laurence King, 2006). Since 2000, Dejan has been collaborating on many projects. As a graphic designer and writer Dejan Krsic has been collaborating on WHW projects: "What, how and for Whom - on the occasions of the 152nd Anniversary of the Communist Manifesto" (Zagreb 2000, Vienna 2001); "Broadcasting Project, dedicated to Nikola Tesla" (Zagreb 2001/2002); "Collective Creativity" (Kassel 2005). Since 2003 he has been designing all visual materials for Gallery Nova, including the gallery newspaper. The interdisciplinary focus of Dejan's work is putting the visual art practice and art theory in a creative dialogue with graphic design and curatorial strategies. Since 2008 he teaches graphic design at Department of visual communications at UMAS, Split, Croatia. Source: Monoskop What, How & for Whom/WHW is a curatorial collective formed in 1999 and based in Zagreb and Berlin. Its members are Ivet Ćurlin, Ana Dević, Nataša Ilić and Sabina Sabolović, and designer and publicist Dejan Kršić.

Ljerka Šibenik Zagreb, 1968. Silkprint Edition 50 Signed and numbered 52,5 x 54,5 cm

Izniman plakat za izložbu Vjenceslava Richtera, Hilversum, Holand iz 1972. godine. Steendrukkerij de Jong and Co.

Boris Bućan: Xerox A4 plakat Borisa Bućana za izložbu Xerox Made by Xerox. Galerija Studentskog centra, Zagreb, Savska 25. Zagreb, 1973.

Miljenko Horvat (Gorgona Group) grafitna olovka + pastel Miljenko Horvat was the group’s youngest member and worked as a painter, architect and photographer. His early art informel pieces already betray his interest in the constructive, which would become even more pronounced in his later years in the form of minimalist and computer-generated designs and creations. Horvat also had a penchant for the surreal, which mainly informed his photographic practice. Friedemann Malsch

Vladimir Jovanović Occult Beograd, 1979. Screenprint / Sitotisak 50 x 70 cm Sigend and dated Pop Art

Dejan Kršić: Dear Art / Stilinović Triptih - tri plakata posvećena Mladenu Stilinoviću Zagreb, 2016. 50x70cm Sitotisak / Silkprint

Vladimir Jovanović Idolescent Beograd, 1979. Screenprint / Sitotisak 50 x 70 cm Sigend and dated Beogradski Pop Art

Vlasta Delimar: Provjerite da li ste živi. Izdahnite zrak iz usta na ogledalo Verify if You are Alive. Breathe out from the mouth on the Mirror Mixed Media / Collage Signed and dated. Vlasta Delimar, 1984. Galerija studentskog centra Zagreb, 1984. godine 14,2x10,3 cm

Pastel, slap Plive, Jajce - 21.06.1940. Potpisano, signirano, format 10x14,5. Slika je bila poslana iz Jajca autoru, Eduardu Stepančiču u Beograd 1941. godine. Eduard Stepančič studied in Monza at the Instituto di Belle Arti (1923 -1926), in Venice at the

Bosch + Bosch: Subotica, 1972 Intervencije u slobodnom prostoru, projekti i akcije New Art / Avantgarde Slavko Matković, Bálint Szombathy, Laszlo Kerekes, Laszlo Szalma

Ante Brkan: Asfalter, 1938. 295x392mm Izrađeno iz originalnog negativa na baritnom papiru Na poleđini pečat Ante Brkan (Veliki Jadrč, 1918. − Zadar, 2004.).

Ante Brkan: Olupine, 1959. 295x392mm Izrađeno iz originalnog negativa na baritnom papiru Na poleđini pečat Ante Brkan (Veliki Jadrč, 1918. − Zadar, 2004.).