A History of Visual Communication
by Josef Müller-Brockmann
English / German / French language
Verlag Arthur Niggli, 1971.
pp 334
Bookjacket designed by Shizuko Muller Yoshikawa
In very nice condition
Hrvatska / zemlja ljepote : Kroaten / Land der Schonheit
Autor August Frajdić. Suradnik Josip Horvat
Fotografska monografija. August Frajtić: Hrvatska zemlja ljepote. 31 list tekst; 48 fotografija; tabela s popisom ilustracija i fotografa. (Ernest Cuvaj, Tošo Dabac, Dušan Frković, Mladen Grčević, Ignajt Habermuller, Margareta Komzak, Božidar Krznariž, Radoslav Lorković, Milan Moravec, Maksimilijan Paspa, Tedor Paspa, Zlatko Speis, Edmund Stoger, Marijan Kirasić, EugenTrišler. U knjizi su predstavljene četri fotografije Mladena Grčevića: Kamenita vrata u Zagrebu, Trg pred prvostolnom crkvom, Grad Veliki Tabor u Hrvatskom zagorju, Zalaz sunca za Učkom, Istra.
Pero Dabac, Marija Braut, Tošo Dabac, Enes Midžić. Četriri iznimno rijetka, lijepa i zanimljiva kataloga za izložbu Tošo Dabac und sein atelier. Mannhaim, 1972. godine. Neobičnog formata 12x24 cm, iznimnog dizajna i kvalitete, tiskano u Grafičkom zavodu H
Vlastita naklada iz 1952. godine. Uvod, istorijski deo, novi pravci, savremena bezornamentalna arhitektura, pokreti u slikarstvu i njihov uticaj na razvoj arhitektonske misli. Stanje - antikvarno odlično.
Novine Galerije Studentskog centra 49
Zagreb, 1974.
42 x 29,5 cm
Novine izdaje: Galerija Studentskog centra, Zagreb, Savska 25, Studentski centar Sveučilišta u Zagrebu; dizajn novina: Željko Borčić; Fotografije: Željko Stojanović i Enes Midžić; novine su tiskane u 600 primjeraka; tisak: Grafički srednjoškolski centar, Zagreb; za novine i galeriju odgovara: Želimir Koščević; suradnici: Vladimir Gudac, Darko Glavan, Želimir Koščević, Slavko Timotijević, prijevod na engleski: Ann Kramer-Borčić; Braco Dimitrijević, Beuys, Miroslav Krleža, Robert Davidson, Bruno Munari, Oskar Herman, Jan Dibbets, Viktor Papanek, Daniel Buren
Lijepi, bogato ilistrirani katalog Juraj Dobrović, Julije Knifer i Vjenceslav Richter - XI bienal de Sao Paolo, octobar - november 1973. Introduction Radoslav Putar. Fotografije Mitja KOman. Printed in GZH. Editor Božo Bek. Layout Željko Škeljo.
Lijepo dizajnirani katalog za nastup Vjenceslava Richtera - Richter - 36. Bienalle di Venezia iz 1972. godine. Richter je sudjelovao zajedno sa Dušanom Otaševićem i Vladimirom Veličkovićem. Urednica Irina Subotić. Tekstovi na engleskom i talijanskom jezik
Pontus K.G. Hulten:
The Machine Seen at the End of Mechanical Age (1968-1969)
New York: Museum of Modern Art, 1968. Metak Hardcover, 218pp
The Machine as Seen at the End of the Mechanical Age was one of the most important exhibitions of the 1960s dealing with art and technology. The show was held at The Museum of Modern Art, New York, November 25, 1968 - February 9, 1969. Its curator K.G. Pontus Hultén described it as a "collection of comments on technology by artists of the Western world," particularly in the modern age when "the mechanical machine - which can most easily be defined as an imitation of our muscles - is losing its dominating position among the tools of mankind; while electronic and chemical devices - which imitate the processes of the brain and the nervous system - are becoming increasingly important."
The exhibition traveled to University of St. Thomas, Houston, March 25 - May 18, 1969; San Francisco Museum of Art, San Francisco June 23 - August 24, 1969.
Cijeli časopis oblikovan kao kuverta. Broj 176. koji nije ni bio u redovnoj prodaji, već je maji dio bio distriburiran suradnicima u špalti / tiskarskom slogu.
Vidici su bili ti koji su (osim što su davali važnost stripu) u Srbiji eksperimentisali sa v
Prvo, ratno izdanje iz 1943. godine. Naklada Velzek Zagreb. Tvrdi uvez s ovitkom. U odličnom stanju. Tisak Tipografije Zagreb. Predgovor na hrvatskom i njemačkom jeziku Josip Horvat.
The Chronotope of Croatian Performance Art: from Traveleri to the Present Day (Kronotop hrvatskoga performansa: od Travelera do danas) covers the life of performance art in Croatia from two standpoints: the avant-garde from the early 1920s (e.g. the group
Vlado Kristl (1923. - 2004.) jedan je od najsvestranijih, najintrigantnijih i najutjecajnijih hrvatskih umjetnika druge polovice dvadesetog stoljeća. Njegov vrlo zanimljiv i kvalitetan umjetnički opus javnost i kritika nerijetko su pratili kroz prizmu got
Vladimir Kopicl & Ana Raković
Telo umetnika kao subjekt i objekt umetnosti
Body Art Antologija
Likovni salon tribine mladih - Novi Sad, 1972.
21,5 X 30 cm
Materijal preuzet iz Avalanche, New York, / katalog `Dokumenta 5` Kassel i časopis Problemi, Ljubljana
Vrlo rijetko u ponudi.
katalog 19,5x29,5 koji se rastvara u plakat 39x59 cm.
XVI Sao Paulo Biennial: Video from Yugoslavia
Museu de Arte Moderna, 1981.
Predgovor na engleskom jeziku
Davor Matičević. Stanje - odlično
Izgled / Juni 77
Srećna nova umetnost, Beograd, 1977.
Urednik Vladimir Jovanović
15x35 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Izgled / Maj 78
Galerija suvremene umjetnosti, Zagreb, 1978.
Urednici Vladimir Jovanović i Marko Pešić
32x45 cm
The first announcement of a Kozmetika concert appeared in June 1977, on the back cover of Izgled magazine. The author of that magazine, as well as of the name of the group, was painter Vladimir Jovanović, one of many visual artists who tried themselves out as R’n’R musicians. Explaining the name of the band, he spoke about a visual art technique he invented himself – painting with face powder and lipstick. Izgled was a fanzine, self-published, but it was completely different from the punk fanzines made in those days. It looked like Warhol’s Interview, and was under the strong influence of David Bowie’s aesthetics. Kozmetika was the other face of Izgled, and its members were Marko Pešić, Saša Nikolić, Goran Vejvoda and Slobodan Konjović. Since they were without a formal musical education, they began to work within a band context in order to gain musical experience and investigate the potential of mutual communications through playing in the band. They had no pretentions to great careers, and no desire to be stars in the eyes of the audience – they were already that in their own eyes, even before they started playing. They made only one record, which they worked on for three years.
Vojin Bakić - katalog za izložbu u Gradskoj galeriji suvremene umjetnosti Zagreb, 1958. Djela nastala između 1953. i 1958. godine. Uvod: Milan Prelog, Olga Jevrić, Radoslav Putar, Grgo Gamulin, Mića Bašičević Mangelos, Josip Depolo i Kosta Angeli Radovani
Plakat / katalog - Vladimir Dodig Trokut - amuketi čini arkane, Galerija suvremene umjetnosti, Zagreb 1980. godine. Predgovor marijan Susovski. Fotografije Fedor Vučemilović. Dokumentacija Ksenija Pavlinić.
Plakat 42x62cm
Stanje - odlično