Art print

24 pages, with 12 beautiful original woodcut Ex libris, made by Milenko D. Gjuric, graphic artist and great supporter of the Art of Ex Libris. He made great impact on this and organized exhibitions in Craotia and abroad.

Nova Evropa: Kunst is zeitlos Grafička mapa objavljena povodom izložbe Nova Evropa: Kunst is zeitlos • Europa Endlos, održane u Galeriji Hrvatskog dizajnerskog društva 19.6.–3.7.2020., kustos Marko Golub. Mapa, formata 32×32 cm sadrži 32 grafike, od toga 15 radova kolektiva Nova Evropa (obrade u novoj tehnologiji motiva koji su se javljali na xerox radovima 80ih), i 17 novih radova koje su napravili drugi umjetnici i dizajneri različitih generacija i usmjerenja, kao posvetu ili referencu na projekt Nova Evropa/NEP. Autori su (redoslijedom u mapi) Dejan Dragosavac Ruta, Ivan Antunović, Oleg Šuran, Maja Stojanović & Sanja Planinić, Andrej Dolinka, Borut Vild, Hrvoje Živčić, Roman Uranjek, Miran Mohar/ Irwin, Sara Renar & Barbara Delać, Roman Uranjek & Radenko Milak, Škart, Goran Lišnjić/Metropolie trans, This Town Needs Posters (Sven Sorić i Hrvoje Spudić), Mario Aničić, Željko Badurina te Lana Grahek. Mapa sadrži i timeline (4 stranice) koji ukazuje na reference i povijesni kontekst projekta i stranicu s impresumom. Tiskana je u ofset tehnici u nakladi od 200 numeriranih primjeraka.

Vlado Martek Pariz, 1982. Agitacija-akcija „les Artistes­-aux Armes,“ Sitotisak / Silkprint na poleđini pečat Vlado Martek, Konjščinska 40, Zagreb, Yugoslavia

Katalin Ladik: Poemim 1 Novi Sad, 1978. Photo by Imre Poth Xerox na kartonu 15x10,5cm

Zbirka Biškupić: Trag Nives Kavurić-Kurtović, Ivan Kožarić, Ivan Lacković Croata, Ivan Lovrenčić, Dimitrije Popović, Ljubomir Stahov, Ivica Šiško, Miroslav Šutej.

Vlasta Delimar; Jebanje je tužno, Galerija PM 1986. godine. Plakat 21x30cm. Iznimno rijetko. Fucking is Sad

Ivan Picelj: Josip Vaništa Plakat 50x70cm Podloga: svijetložuta, reprodukcija crteža muškog portreta (sivim). Dolje odijeljen sivom linijom informativni tekst u tisku sive, u 3 bloka.

Dubravka Duba Sambolec Zeleno Silkprint / Sitotisak 48,9 x 68,8 cm Motovunski susreti, 1978 Signed and numbered 37/50

Ante Brkan: Gospodar situacije, 1958. 295x392mm Izrađeno iz originalnog negativa na baritnom papiru Na poleđini pečat Ante Brkan (Veliki Jadrč, 1918. − Zadar, 2004.),

Ante Brkan: U koturima, 1957. 295x392mm Izrađeno iz originalnog negativa na baritnom papiru Na poleđini pečat Ante Brkan (Veliki Jadrč, 1918. − Zadar, 2004.).

Ante Brkan: Olupine, 1959. 295x392mm Izrađeno iz originalnog negativa na baritnom papiru Na poleđini pečat Ante Brkan (Veliki Jadrč, 1918. − Zadar, 2004.).

Ante Brkan: Asfalter, 1938. 295x392mm Izrađeno iz originalnog negativa na baritnom papiru Na poleđini pečat Ante Brkan (Veliki Jadrč, 1918. − Zadar, 2004.).

Stanko Abadžić: Nude Zagreb Gellatin Silver Prints Negative Date 2006. Print Date 2007.

Milan Dobeš (1929, Přerov) is a constructivist and kinetic artist. He studied at the Academy of Fine Arts in Bratislava. participating in NT 4—Latest Examples of Research: Tendencije 4, / Nove tendencije 4 /Tendencies 4, /New Tendency 4 Zagreb, 1969. Dobeš created dynamic constructivist works, in parallel with the international movement of this tendency by exponents such as Le Parc, Morellet and Soto; took part in formative international exhibitions such as Kunst-Licht-Kunst (Eindhoven, 1966), Konstruktive Tendenzen (Nürnberg, 1968) and New Tendencies 5 (1973), as well as the Documenta 4 exhibition in Kassel; and which did not go unnoticed by the leading critics and theorists of the day (those writing on Dobeš's work include F. Popper, U. Kultermann and O. Bihalji-Merin). In 1971, Dobeš toured the United States with his lumino-dynamic programme accompanying American Wind Symphony Orchestra performances of T. Mayazumi and Krzysztof Penderecki. Untitled 1968 Silkscreen, ed. 70/100, Grafika Séria 7/P, in original cardboard folder Signed and dated in pencil lower right and numbered lower left

Untitled 1997 Silkscreen, ed. 119/189 16 x 20 cm Signed in pencil lower right, numbered lower left and dated lower center

Untitled 1998 Silkscreen, ed. e.a. 7/30 20 x 15,5 cm Signed in pencil lower right, numbered lower left and dated lower center

Untitled 1999 Silkscreen, ed. 55/260 15,5 x 19 cm Signed in pencil lower right, numbered lower left and dated lower center

Untitled 1970 Silkscreen, ed. 25/200, Graphique Noire Cycle 21/d, with original cardboard folder 13 x 13 cm Signed in pencil lower right, numbered lower left and dated lower center Signed on the folde

Untitled 1973 Silkscreen and collage, ed. 98/200, Kolàz Séria 12/B, with original cardboard folder 14,5 x 14,5 cm Signed in pencil lower right, numbered lower left and dated lower center Signed on the folder

Untitled 1974 Silkscreen, ed. 18/200, Graphika Séria 28/D, with original cardboard folder 14,5 x 8,5 cm Signed in pencil lower right, numbered lower left and dated lower center Signed on the folder

Plakat Zbirka Richter/Richter Collection: The Vjenceslav Richter and Nada Kareš-Richter Donation to the City of Zagreb. U odličnom stanju, nepresavijan, format 98x69 cm.

Slavko Matković: FMK 1971/1978 Budapest, 1979. 21,5x30 FMK / Fiatal Muveszek Klubja, Budapest

Slavko Matković: Bučna pesma Budapest, 1979. 21,5x30 FMK / Fiatal Muveszek Klubja, Budapest

Slavko Matković: No 3 Plakat A3 Polzel / New signalistic strip 1973. godine