ART EDITIONS

Josip Vanista, Zagreb, 1989. Treći broj Gorgona; Post Scriptum No.3. Naklada Josip Vaništa, suradnja Marijan Jevšovar 25 x 17,5 Cm. Artist Book. Sadrži tekstove Radoslava Putar i Ivana Kožarića. Crtež na naslovnoj strani Ivan Kožarić. Stanje; odlično.

Josip Vanista, Zagreb, 1989. Drugi broj Gorgona; Post Scriptum No.3. Naklada Josip Vaništa, us suradnja Marijan Jevšovar 25 x 17,5 Cm. Artist Book. Ivan Kožarić, Žarko Vijatović. Stranice

József Markulik: DAL Artist Book. 14x10,5cm Limited and numbered 4/75

Edicija OHO: EVA Avtorji knjige: Marko Pogačnik (Risba), Franci Zagoričnik (Rej pod lipo), I. G. Plamen (Polnočne metamorfoze, Usvajanje pošte, Pošta, Rodni kraji), Tomaž Šalamun (Hiša Markova), Braco Rotar (Jan Kazimir), Aleš Kermavner (Reklama za Namo)

I. G. Plamen: Pesmi Iztok Plamen Geister (OHO group) Artist Book Likovni prilozi Milenko Matanović Mladinska knjiga Ljubljana, 1972. 17x17 cm 59pp

Goran Trbuljak Zapisi jednog umjetnika 1970-1977 Les Ecrits d'un Artiste 1970-1977 Artist Book Galerija Nova, Zagreb, 1978. 12x17 cm

Sanja Iveković; Dokumenti 1949 - 1976. Galerija suvremene umjetnosti, Zagreb 10.-30.12.1976. Urednik kataloga i predgovor Davor Matičević (engleski i hrvatski jezik) Prijelom kataloga sanja Iveković Plakat dalin+bor martinis Printed in 300

Akcija Total Originalni letak iz 1970. godine 15x22 cm U sklopu akcije Total (izvedena je 16. lipnja 1970. u Zagrebu, a potaknula ju je Galerija Studentskog centra te realizirali Boris Bućan, Davor Tomičić i Želimir Koščević), koja je osmišljena kao izravna intervencija u urbanom prostoru, slučajnim je sudionicima dijeljen letak Nacrt dekreta o demokratizaciji umjetnosti, kojim se manifestno i, dakako, ironijski zahtijeva ukidanje svih likovnih disciplina, zabrana likovne kritike i obustava izložbenih djelatnosti (Koščević 1978:94-95, Matičević 1978:22). Manifestne smjernice Nacrt dekreta o demokratizaciji umjetnosti u svojem uvodnom dijelu ironijski je obrazložio u trima točkama: Ukida se: slikarstvo, kiparstvo, grafičarstvo, primijenjene umjetnosti, industrijsko oblikovanje, arhitektura i urbanizam Zabranjuje se nadalje: svaka djelatnost na području povijesti umjetnosti, a posebice takozvana likovna kritika Obustavljaju se: sve izložbe u svim galerijama, muzejima, izložbenim i umjetničkim paviljonima (prema Matičević 1978:22). Naime, akcija Total, zajedno sa 6. zagrebačkim salonom te uličnom izložbom Mogućnosti za ‘71 u organizaciji Muzeja suvremene umjetnosti (tadašnje Galerije suvremene umjetnosti) prema koncepciji Davora Matičevića i izložbom Guliver u zemlji čudesa, koja je iste godine organizirana u Koranskom parku skulpture u Karlovcu (kustos: Želimir Koščević), ubraja se u glavne intervencijske projekte sedamdesetih na ovim prostorima.

Vlado Martek: Prevrednovanje poezije (pripremanje za poeziju/predpoezija) Vlado Martek, Zagreb 1981. Prostor Proširenih medija, Zagreb Meki uvez / klamano 15,5x21,5 20pp Artist Book. Mixed Media

Lažna poezija - predpjesme. Samizdat Vlade Marteka iz 1985. godine. Artist's book. Sitotisak. Intervencije u tisku i različiti papiri. Vrlo rijetko u ponudi. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-seventies in Zagreb,

Nadkomunistički crteži, samizdat Vlade Marteka iz 1983. godine. Artist's book. Sitotisak. Tiskano na tvrđem papiru, sa spojenim stranicama. Vrlo rijetko u ponudi. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-seventies in Z

Tragedija Jedne Venere / A Tragedy of a Venus, 1975. First edition of exhibition catalogue originally published in conjunction with show held December 1976, Gallery of Contemporary Art, Zagreb. Text in English and Croatian.

Artist Book. Sonia Delaunay, Städt. Kunsthaus Bielefeld 1958, pochoir - tempera, potpis umjetnice, Sonia Delaunay (1885-1979) Sonia Delaunay Paris the book, 1958, signed and dated in pencil on cover, with one pochoir printed in colours serving as the

Julije Knifer: GSU 1966. Vrlo rijetko u ponudi. Katalog za izložbu Julija Knifera - Galerija suvremene umjetnosti, Zagreb 1966. godine. Uključuje serigrafiju (izrada Serigraphie-atelier). Predgovor / preface - Julije Knifer i Radoslav Putar. Katalog Ivan Picelj. Fotografije Branko Balić.

Irena Frantal: NOT SURE Artist book, 2016. Size: closed 20 x 21 cm, Text by the author; english language Intervention with cut or stenciled text into two sewn-together found brochures . Original unique artist book Handmade by artist Ovaj rad je dio ciklusa Tekstovi izvan konteksta (2016)o kojem sam tada napisala ovo: Promatram vlastiti tekst izvan konteksta mojih knjiga. Uzimam za podlogu pronađeni materijal. Namjerno skupljam promidžbeni materijal, broušure, kataloge, letke; oni su raznih dimenzija, formi. Otvaraju se iz harmonike ili su presavijeni plakati/katalozi. Svi drže određene informacije i vizualni jezik. Interveniram urezivanjem teksta ili ispisivanjem teksta pomoću šablona i boje u spreju. Želim vidjeti što se događa sa tekstom izbačenim u okoliš «kojemu ne pripada»... Gdje uopće tekst pripada? Kao oni kratki tekstovi/rečenice/grafiti – poruke na fasadama ulica grada. Nečiji tok misli izbačen u kontekst žive ulice. Oni tjeraju na zastajanje, u trenu nude novi pogled.

Vlado Kristl Katalog za najvažniju izložbu Vlade Kristla. Galerija suvremene umjetnosti, Zagreb, 1962. godine Design kataloga i plakat Ivan Picelj. Fotografije Branko Balić Predgovor Vjenceslav Richter Katalog uključuje originalnu serigrafiju (20x21,5) by Atelier Brane Horvat, Zagreb. Ponuda uključuje i originalnu pozivnicu za izložbu (by Ivan Picelj) Vrlo rijetko u ponudi. Naklada 500.

Dimitrije Bašičević Mangelos Artist Book / Catalogue Izložba radova Izložbeni salon doma JNA Zagreb, 1986. Cover and back page silkprint 17x24,5cm 16pp Mangelos Interview by Mladen Stilinović Katalog i izložba: Mladen Stilinović i Žarko Vijatović Prelom kataloga Krešimir Štefanović

Új Symposion 79. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy

Új Symposion (76) 76. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb

Új Symposion (87/88) Novi Sad, 1972. godine 20x29cm 58pp Design Balint Szombathy Bosch + Bosch, Lukacs Gyorgy, Istvan Bosnyak, Maria Benedek, Lukacs Kovacs, Sandor Rozsa, Balint Szhombaty, Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb

Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978. White. Invitation catalogue. 13x17cm 4pp Silkprint on paper. Published on the occasion of the exhibition at ATD, Zagreb, 1978. Artist's edition. Dimitrije Basicevic Mangelos (1921-1987), - a member of avangarde group Gorgona and participated in the Nove tendencije movement. Very rare.

Sanja Iveković - Ženska kuća 1998-2002 Sanja Ivekovic: Women's house 1998-2002 Artist's book. Edition 200. Texts: Nada Beros, Tihomir Milovac,Katy Deepwell. Design Sanja Bachrach Kristofic. Bilingual edition: croatian and english Muzej suvremene umjetnosti, Zagreb, 2003. 139 pp 31x31 cm

Vladimir Dodig Trokut Knjiga od 1 do 10 Artist Book Studentski kulturni centar, Beograd, 1978. 15x21cm

Kunst der sechziger / Jahre 5. erweiterte Auflage. Art of the Sixties / 5th revised edition Mint condition Koln, Wallraf-Richartz Museum, LUDWIG COLLECTION, 1971. Hardcover bound in plastic embossed covers held with heavy metal screws. Fifth Revised Edition. Large 4to. 10 x 12 x This final fifth edition includes 222 objects, 124 more than appeared in the first edition.Illustrated with 209 color plates showing the work of 92 artists of the 1960's pop-art era; part of the private collection of Peter Ludwig. Introductory text and lexicon in German and English. Catalog is organized in alphabetical order by artist; titles are in German and English; biographies of the artists and descriptions of their work are in German, including Dine, Dubuffet, Hockney, Jasper Johns, Lichtenstein, Oldenburg, Picasso, Rauschenberg, Vostell, Warhol, and Wols. This is the definitive fifth revised edition of this famous and striking exhibition catalogue, which is itself a work of art. Wolf Vostell designed the catalogue for the Ludwig collection of contemporary art, given as a permanent loan to the Wallraf-Richartz Museum in Cologne