Gregorio Vardánega (1923-2007)
Boite à Cercles de Couleurs, 1970
Plexiglass. Ed. 15+3AP
Size 13 4/5 × 13 4/5 × 4 7/10 in | 35 × 35 × 12 cm
Limited edition
Signature / Hand-signed by artist at back
Luis Tomasello
Lumiere noire
medium: wood and plastics
period: 2011
signature: in marker at the back
edition 60
size: 40cm x 40cm x 4cm (15.7” x 15.7” x 1.6”)
Alberto Biasi: Torsioni Sovrapposte
Noir
Multiple: wood and pvc lamellae
2016.
Signature engraved by the artist
Edition 15
Size 52cm x 51cm x 10cm (20.5'' x 20.1'' x 3.9'')
Condition perfect condition
Hexagone, 1988
Plexiglas containing four books
10 1/4 × 11 3/4 × 2 in
26 × 29.8 × 5.1 cm
Signed by author
Limited and numbered edition
Incised and numbered along the bottom
Man Ray (Emmanuel Radnitzky): Cadeau
Mixed media - Signed - 1479/5000 - 1974
"Cadeau" by Man Ray is the most coveted DaDa surrealist movement object. It consists of an everyday continental flat iron of the sort that had to be heated on a stove, transformed here into a non-functional, disturbing object by the addition of a single row of fourteen nails
In 1974, Man Ray realised this edition in collaboration with Luciano Anselmino of Galleria "Il Fauno", Turin.
Original packaging, Like new.
A numbered, credit card-size, card was numbered and monogrammed by Man Ray. A certificate, with number, of the famous Arturo Schwarz is also included.
17×10 cm
Peter Max
Be All You Can Be. Read, 1969.
Original vintage poster
Psychedelic Poster for National Library Week
Folded / in fine condition
Created for National Library Week, an annual event organized by the American Library Association.
David Bailey
Mick Jagger, 1984.
Offset Lithograph
38 1/2 × 26 3/4 in
97.8 × 67.9 cm
Poster for the David Bailey exhibition titled Photography:
1964-1983 which was held at Fortuny Museum in Italy from August - September 1984. In nice condition
Piero Manzoni: Merda d'Artista (Artist's Shit)
multiplo originale della Fondazione Piero Manzoni Milano
Multiplo originale della celebre "Merda d'Artista" di Piero Manzoni.
Sul coperchio reca numerazione e firma.
L'involucro trasparente è chiuso da un adesivo sul quale è stampata l'impronta del celebre artista.
Edizione limitata realizzata dalla Fondazione Piero Manzoni in occasione dell'anniversario della morte dell'artista.
La scatoletta misura 6,5x7 cm
Victor Vasarely: Cinétiques
5 sets of rodoïds
Silkscreen/Serigraph
Éditions du Griffon, Suisse, 1973.
29×24 cm
10 serigraphs: black on white background or vice versa,
working in pairs.
Each of the 5 images is printed on paper and then on a transparent plastic sheet, which allows an optical game by superposition. (Rodoïd)
Victor Vasarely 3D Wall Sculpture/object - Set of 8. Measures 11x13x2 inches Each. 2 layers- Top layer printed on clear Lucite , bottom print on paper. From the portfolio Vasarely Cinetiques. Published by Edition Du Griffon Neuchatel. Circa 1973. Printed in Switzerland.
Gianni Colombo - Senza Titolo (Multiple)
Mixed media - Hand signed -
Gianni Colombo: Concrete Composition from La Lune en Rodage III
Medium: Silkscreen print & thick plastic foil
Dimensions: 28 x 28 cm
Editor: Edition Panderma, Basel
Year: 1961
Gianni Colombo: Senza Titolo (Multiple)
Medium: Silkscreen print & thick plastic foil
Dimensions: 28 x 21 cm
Editor: Edition Panderma, Basel
Year: 1961
Edition: 230 (65 hors commerce were unnumbered)
Signature: Signed with ball point pen
Mixed media - Hand signed - 230
Gianni Colombo: Senza Titolo (Multiple)
Medium: Silkscreen print & thick plastic foil
Dimensions: 28 x 21 cm
Milan Dobeš (1929, Přerov) is a constructivist and kinetic artist. He studied at the Academy of Fine Arts in Bratislava.
participating in NT 4—Latest Examples of Research: Tendencije 4, / Nove tendencije 4 /Tendencies 4, /New Tendency 4 Zagreb, 1969.
Dobeš created dynamic constructivist works, in parallel with the international movement of this tendency by exponents such as Le Parc, Morellet and Soto; took part in formative international exhibitions such as Kunst-Licht-Kunst (Eindhoven, 1966), Konstruktive Tendenzen (Nürnberg, 1968) and New Tendencies 5 (1973), as well as the Documenta 4 exhibition in Kassel; and which did not go unnoticed by the leading critics and theorists of the day (those writing on Dobeš's work include F. Popper, U. Kultermann and O. Bihalji-Merin).
In 1971, Dobeš toured the United States with his lumino-dynamic programme accompanying American Wind Symphony Orchestra performances of T. Mayazumi and Krzysztof Penderecki.
Untitled
1968
Silkscreen, ed. 70/100, Grafika Séria 7/P, in original cardboard folder
Signed and dated in pencil lower right and numbered lower left
Untitled
1970
Silkscreen, ed. 25/200, Graphique Noire Cycle 21/d, with original cardboard folder
13 x 13 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folde
Untitled
1974
Silkscreen, ed. 18/200, Graphika Séria 28/D, with original cardboard folder
14,5 x 8,5 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folder
Untitled
1973
Silkscreen and collage, ed. 98/200, Kolàz Séria 12/B, with original cardboard folder
14,5 x 14,5 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folder
Untitled
1972
Silkscreen, ed. 55/200, Graphika Séria 23/G, with original cardboard folder
14,5 x 14,5 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folder
Untitled
1971
Silkscreen, ed. 19/170, Graphika Séria 22/G, with original cardboard folder
14,5 x 14,5 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folder
Untitled
1975
Silkscreen, ed. 75/200, Kolàz Séria 23/M, with original cardboard folder
14 x 14 cm
Signed in pencil lower right, numbered lower left and dated lower center
Signed on the folder