Aleksandar Srnec
Zagreb, 1970.
15,5x11x11 cm
Pleksiglas. Elektromotor.
Originalni kabel. Sve ispravno.
Potpis Srnec 1970
Label: aleksandar srnec / zagreb rockefellerova 19
Potpisana posveta arhitektu V.H. iz 1971. godine
Dalibor Martinis: Sanja Iveković
Plakat izložbe
Sanja Iveković; Dokumenti 1949 - 1976. Galerija suvremene umjetnosti, Zagreb 10.-30.12.1976.
High Quality Screen Print / visokokvalitetan sitotisak
Atelier Brane Horvat / Studio S
97,5 x 67,5 cm
Radomir Damnjanović Damnjan
Dezinformacija
2020.
Acrylic on canvas
70 x 70 cm
Signed, titled, dated and stamp of the artist on the reverse
Work accompanied by a certificate of authenticity issued by Galleria Federico Bianchi Contemporary Art, Milan
PROVENANCE:
Galleria Federico Bianchi Contemporary Art, Milan
Private collection, Lecco
LITERATURE:
cfr. J. Denegri, T. Trini, Radomir Damnjanovic Damnjan, Federico Bianchi Contemporary Art, Milan, 2010, p. 359
Josip Vaništa
Srebrna linija na bijeloj pozadini
Silver line on a white background
Zagreb, 2011.
Izrađena za kolekciju B.O. 40x40
Made for B.O. Collection 40x40
Acrylic on Canvas / Akril na platnu
Format 40 x 40 cm
(15.75 x 15.75 in)
Signature verso /Potpis na poleđini
+ tekstualno Ovo je moj rad (this is my Art Work) 28.IV.2011.
+etiketa / potpisani tekst s opisom nastanka prve Linije, 1961. godine
+label / signed description about first Line from 1961.
Mangelos: manifest o impresionizmu (in Croatian), 1977.
High Quality Screen Print / visokokvalitetan sitotisak
84 x 52 cm (33 1/8" x 20 1/2")
Mangelos: manifest o impresionizmu
silknprint on paper.
Zagreb 1977.
Produced as part of a gallery show in Zagreb that featured his manifesto work.
Mangelos. Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978.
Mladen Stilinović
White Absence
MIxed Media
Acrylic, spoon on wooden board
15 x14 cm (unframed) cm
Framed 35 x 34 cm
Signed and dated (1994.) at back
+dedication to A.M.
Bora Ćosić: Mixed Media
print on paper
26 × 26,2 cm
Belgrade, 1970.
Original edition
104 pages
Dizajn Branko Vučičević
Bora Ćosić’s book, both about and based on the principle of mixed media, is an extraordinary example of a collaged structure of visual and written material: essays, reproductions, quotations, newspaper clippings, photocopies, etc. that bring together the art history of the 20th century in a multi-layered way: conceptual art, film theory, philosophy, social criticism, and sociological research combine to result in a specific index/encyclopedia of concepts. “Mixed Media” looks at topics including the artistic practices of the time, the international neo-avant-garde movement of the 1960s (and later), and movements and practices such as Fluxus, Neo-Dada, Neo-Constructivism, visual poetry, conceptual art, etc., which have the principle of “mixed media” as their main feature. W.S.
Mangelos: Energija no 9.
Artist's Book.
Artist Edition for Exhibition in Galerija Dubrava, Zagreb, January 1979.
Sitotisak / Silkprint on Paper.
In very good condition / U vrlo dobrom stanju.
Format: 12x17 cm
Stranica: 30
Artist's Book. Poeziju treba jebati (Poetry Should be fucked). Vlastita naklada 1983. godine. Omot rađen u sitotisku. Na zadnjoj stranici dva pečata - poezijo pizdo bez šanse i Vlado voli Bretona. Možda i najvažnija Knjga umjetnika - Vlade Marteka - pjesn
Josip Vaništa: Gorgona 1
Zagreb, 1961.
Periodical with screenprint cover and relief half-tone prints
Dimensions: page (each): 8 1/4 x 7 5/8" (21 x 19.3 cm)
Josip Vaništa, the group's founder, conceived the first issue, which consisted of the same photograph of an empty shop window reproduced on each of its nine pages.