ART IZDANJA

Artist's Book. Poeziju treba jebati (Poetry Should be fucked). Vlastita naklada 1983. godine. Omot rađen u sitotisku. Na zadnjoj stranici dva pečata - poezijo pizdo bez šanse i Vlado voli Bretona. Možda i najvažnija Knjga umjetnika - Vlade Marteka - pjesn

Dated inscription in pencil from Goran Trbuljak to artist Willoughby Sharp on page 25Goran Trbuljak. 1972, Artiste anonyme / Goran Trbuljak, 1974 Zagreb: Galerija suvremene umjetnosti, 1976 Artist book Using simple statements and questions, public space

Julije Knifer: GSU 1966. Vrlo rijetko u ponudi. Katalog za izložbu Julija Knifera - Galerija suvremene umjetnosti, Zagreb 1966. godine. Uključuje serigrafiju (izrada Serigraphie-atelier). Predgovor / preface - Julije Knifer i Radoslav Putar. Katalog Ivan Picelj. Fotografije Branko Balić.

Lažna poezija - predpjesme. Samizdat Vlade Marteka iz 1985. godine. Artist's book. Sitotisak. Intervencije u tisku i različiti papiri. Vrlo rijetko u ponudi. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-seventies in Zagreb,

Nadkomunistički crteži, samizdat Vlade Marteka iz 1983. godine. Artist's book. Sitotisak. Tiskano na tvrđem papiru, sa spojenim stranicama. Vrlo rijetko u ponudi. Vlado Martek (Zagreb, 1951) is a poet, visual artist and writer. In the mid-seventies in Z

Vlado Martek: Prevrednovanje poezije (pripremanje za poeziju/predpoezija) Vlado Martek, Zagreb 1981. Prostor Proširenih medija, Zagreb Meki uvez / klamano 15,5x21,5 20pp Artist Book. Mixed Media

Irena Frantal: NOT SURE Artist book, 2016. Size: closed 20 x 21 cm, Text by the author; english language Intervention with cut or stenciled text into two sewn-together found brochures . Original unique artist book Handmade by artist Ovaj rad je dio ciklusa Tekstovi izvan konteksta (2016)o kojem sam tada napisala ovo: Promatram vlastiti tekst izvan konteksta mojih knjiga. Uzimam za podlogu pronađeni materijal. Namjerno skupljam promidžbeni materijal, broušure, kataloge, letke; oni su raznih dimenzija, formi. Otvaraju se iz harmonike ili su presavijeni plakati/katalozi. Svi drže određene informacije i vizualni jezik. Interveniram urezivanjem teksta ili ispisivanjem teksta pomoću šablona i boje u spreju. Želim vidjeti što se događa sa tekstom izbačenim u okoliš «kojemu ne pripada»... Gdje uopće tekst pripada? Kao oni kratki tekstovi/rečenice/grafiti – poruke na fasadama ulica grada. Nečiji tok misli izbačen u kontekst žive ulice. Oni tjeraju na zastajanje, u trenu nude novi pogled.

Josip Stošić: Đerdan Prvo izdanje / First edition Zagreb Limited edition Josip Stosic was born in Zagreb in 1935. He graduated from the Faculty of Arts in Zagreb in 1963. He worked at the Institute for History of Art (early Christian, Medieval and Renaissance art in Croatia). He specifically researched the cathedral in Dubrovnik and the parish church in Čazma. In 1951, as a high school student, Stosic self-published Đerdan (Necklace), the first book of concrete poetry in the former Yugoslavia. His poetry was prohibited the same year. Stosic's art practice included concrete poetry, visual structure of words mounted on boards, and the interaction of objects and words ("A", 1969; Premetaljka (Word Puzzle), 1971). Josip Stosic died in 2009 in Zagreb (source: Avantgarde Museum, Zagreb) Format: 20x14 cm Broj stranica: 106 Uvez: meki Godina izdanja: 1951 Izdavač: Vlastita naklada Josipa Stošića Antikvarijat: Preradovićeva 5, Zagreb dodaj u listu želja Artikla trenutno nema na skladištu!

Josip Vaništa - PostGorgona 15 Josip Vaništa - Izdavač: autorova vlastita naklada Zagreb 2010. Broj stranica: 30 Format: 31x22 cm Uvez: meki s klapnom Numerirano i potpisano 29 / 100. Design Paško Mravičić. Fotografije Miljenko Bernfest, Žarko Vijatović, Eugen, Nives Gajdobranski, Branko Gavrin, Miljenko Horvat

Josip Vaništa - PostGorgona 14/2008 Josip Vaništa - Izdavač: autorova vlastita naklada Zagreb 2008. Broj stranica: 30 Format: 31x22 cm Uvez: meki s klapnom Numerirano i potpisano 46 / 100. Grafičko oblikovanje Josip Vaništa i Paško Mravičić. Fotografije Luka Filipović, Nives Gajdobranski, Željko Košćević, Tomislav Pernar, redakcija NIN, Žarko Vijatović.

Informacijski bilten - Bulletin 1-4 komplet A4 Klamano

Aki darazsakról álmodik (Who is Dreaming About Wasps) | LP | recording of the radio play "Furcsa, aki darazsakról álmodik" (Strange Is the One Who Is Dreaming About Wasps) | Radio Novi Sad, 1988 A –Ladik Katalin* Aki Darazsakról Álmodik Music By, Performer [Zenéjét Szerezte És Előadta] – Király Ernő* Performer [Közreműködött] – Biszák Júlia, Fischer Károly, Ladik Katalin* Technician [Technikai Munkatárs] – Doru Barbulov Fülöp Gábor Bomba-Effektus Le És Föl Music Consultant [A "Kék Duna Keringő" Változatait Adta Elő] – Kovács Ferenc* Music Consultant [Zenei Szerkesztő] – Varga Éva Performer [Közreműködött] – Balázs-Piri Zoltán, Daróczi Zsuzsa, Fejes György, Ferenci Jenő, Fischer Károly, Horváth József (2), Sinkó István Recorded By [Hangfelvevő] – Iván Fece* Technician [Technikai Munkatárs] – Morvai Ferenc*, Slavko Stojanov

Jaroslav Supek: Mail Art Projects Projekti poštanske umetnosti Odžaci, 1982. Recenzent Franci zagoričnik

Slavko Matković: Knjiga (The Book) Artist Book Osvit , 1979. Predgovor Balint Szombathy. Tekst na srpskom, mađarskom i engleskom jeziku. Slavko Matkovic is one of the most prominent Serbian conceptual artists. His work highlights the creative process as opposed to the finished work, and explores such issues as the authorship of a work of art and the relationship between the visual and linguistic spheres, among others. As the most prominent representative of artistic nomadism and in an anticipation of art movements, Matkovic was involved in visual poetry, body art, comics, poetry, painting, performance, film, mail art, etc. In 1969 in Subotica, Matkovic together with Balint Szombathy established the art group Bosch + Bosch. Within this small community, the group embodied contemporary artistic sensibility. Its art practice fulfilled international artistic aspirations by transcending former aesthetic categories in favor of ethics. The Group founded the magazines "Contractor e972" and "WOW" which published relevant articles in the fields of art and theory.

Bosch + Bosch: Subotica, 1972 Intervencije u slobodnom prostoru, projekti i akcije New Art / Avantgarde Slavko Matković, Bálint Szombathy, Laszlo Kerekes, Laszlo Szalma

Manifesti: noart. Zagreb: Atelier Tošo Dabac, 1978. White. Invitation catalogue. 13x17cm 4pp Silkprint on paper. Published on the occasion of the exhibition at ATD, Zagreb, 1978. Artist's edition. Dimitrije Basicevic Mangelos (1921-1987), - a member of avangarde group Gorgona and participated in the Nove tendencije movement. Very rare.

Kunst der sechziger / Jahre 5. erweiterte Auflage. Art of the Sixties / 5th revised edition Mint condition Koln, Wallraf-Richartz Museum, LUDWIG COLLECTION, 1971. Hardcover bound in plastic embossed covers held with heavy metal screws. Fifth Revised Edition. Large 4to. 10 x 12 x This final fifth edition includes 222 objects, 124 more than appeared in the first edition.Illustrated with 209 color plates showing the work of 92 artists of the 1960's pop-art era; part of the private collection of Peter Ludwig. Introductory text and lexicon in German and English. Catalog is organized in alphabetical order by artist; titles are in German and English; biographies of the artists and descriptions of their work are in German, including Dine, Dubuffet, Hockney, Jasper Johns, Lichtenstein, Oldenburg, Picasso, Rauschenberg, Vostell, Warhol, and Wols. This is the definitive fifth revised edition of this famous and striking exhibition catalogue, which is itself a work of art. Wolf Vostell designed the catalogue for the Ludwig collection of contemporary art, given as a permanent loan to the Wallraf-Richartz Museum in Cologne

Új Symposion 79. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy

Új Symposion (76) 76. szam Novi Sad, 1971. godine 20x29cm 36pp Design Balint Szombathy Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb

Új Symposion (87/88) Novi Sad, 1972. godine 20x29cm 58pp Design Balint Szombathy Bosch + Bosch, Lukacs Gyorgy, Istvan Bosnyak, Maria Benedek, Lukacs Kovacs, Sandor Rozsa, Balint Szhombaty, Valter Benjamin, Vegel laszlo, Gerold Laszlo, Antal Bognar, Varady, Miroslav Egerić, Beata Thomka, Imre Bori, Leszek Kolakovski, Gion nandor Új Symposion, a Hungarian-language journal published in Yugoslavia, maintained a courageous critical stance and a deliberate spontaneity. The creative community that grew around the editorial team and all but turned into a movement created a literary and artistic milieu in Vojvodina that was marked by a proclivity for experimenta-tion. Struggling with the minority status of the Hungarian language, while enjoying an access to cultural knowledge that was fresher in Yugoslavia than in Hungary, the consecutive editorial teams and the associated generations of artists shaped the periodical with different emphases on literature, visual culture and social criticism, and vary-ing degrees of readiness to comply with the demands of the cultural authorities. Though the history of Új Symposion may appear uninterrupted, it was constantly hampered by bans, lawsuits, and in 1983 by the dismissal of the editors, right up to the Yugoslav war, when it could no longer be maintained. Izvor: Avantgarde Museum, Zagreb

Nouvelles Tendances Originalna pozivnica za prvu izložbu Novih tendencija, Zagreb, 1961. godine. 10x20,5cm Silkprint / Sitotisak

Új Symposion 43. szam Novi Sad, 1968. godine 23,5x33cm 32pp Vegel laszlo, Otto Tolnai, Nandor Burany, Jozsef Podolski, Miklos Hornyik, Istvan Bosnuak, Tibor Varady, Miroslav Egerić, Beata thomka, Gabor Vajda, Katalin Ladik, Gabor Fulop, Imre Bori, Leszek Kolakovski, Karoly Jung

Marina Abramović Walk Through Walls Limited to 1,970 copies in print numbered and signed by the author Lavish packaging: Encased in a bright red slipcase with die-cut holes, this deluxe edition makes for a chic and artistic literary presentation- Hand-signed cover: Deluxe edition cover hand-signed by Marina Abramovic and feature elegant color endpapers, two full color 8-page inserts, and over 100 black and white photographs throughout the book'

Bálint Szombathy: Collage Bálint Szombathy: Kolaž 21x29cm rane 70e Pečat umjetnika preko koje je ispisan tekst adresa no1