Josip Stošić: A
Signed and dated
Zagreb, 1969.
Edicija 1
Sitotisak / Screenprint
Likovni ustrojem riječi na plohi, suodnosom predmeta i riječi (“A”, 1969
Braco Dimitrijević: His Pencil's Voice / Njegove olovke glas
Signed and dated.
B/W photos Sven Stilinović & Fedor Vučemilović
Galerija SC & Muzički salon Teatar ITD
Zageb, 1973.
Single. Jacket / wrap & "records".
In very fine codition. Very very rare.
Miro Vuco (1941-2025)
Crvena Meri [1993.]
Bojana terakota
23 x 33 x 28 cm
Djelo je reproducirano u katalogu "Miro Vuco - KAD KIPAR SLIKA", Muzej moderne umjetnosti, Mostar, 2024., str. 19 pod naslovom "Crveni"
Radomir Damnjanović Damnjan (1936-2025)
Qadro
Akril na platnu
Milano, 2012. godina
24 x 18 cm
potpis / naslov / godina / dimenzija / na poleđini
Publicirano: Radomir Damnjanović Damnjan – retrospektiva 1965-2018 dela iz Kolekcije Trajković. Autor: prof. dr. Ješa Denegri
Na poleđini pečat Kolekcije Trajković
Izlagan na istoimenoj izložbi.
Mladen Galić
Zvonko Maković
9 + 9
Grafičko pjesnička mapa
NSK Zagreb & Skaner studio
Devet Grafika Mladena Galića u tehnici sitotiska koje su otisnute u Atelieru Lama na 350 gm2 Astropack avario papiru, kao i devet pjesmama Zvonka Makovića pismom Helvetica (TT) 26 pt. 90 % na istom papiru. Mapa je otisnuta u 30 primjeraka i numerirana od 1 do 30, veličine 520 x 510 mm.
Ova mapa 16/30. Grafike su numerirane, datirane i potpisane Mladen Galić, 2012.
Sanja Iveković: Ljubica Gerovac (Linda Evangelista)
Gen XX, oglasi u časopisima i novinama, 1997 – 2001.
Plakat
68x98 cm
Gen XX,” 1997–2001, presents posters of famous supermodels emblazoned with the names of female Yugoslav World War II heroes
Iveković equipped the photos of professional models with the names and brief stories of women who were celebrated under socialism as “national heroines,” who are today erased from the public consciousness. The space of common knowledge or familiarity from the socialist past was evacuated in favor of popular mass culture and commercial icons. Iveković utilizes these vehicles of everyday contemporary popular literacy and invests in them content with (generally absent, and to contemporary standards unattractive) historical knowledge.